The Chinese Tao
The Chinese Tao, natural law, or way provides a cleavage of the totality into complementary creative and receptive principles. The Tao is a seamless web of unbroken movement and change filled with undulations, waves, patterns of ripples, vortices and temporary standing waves like a river. Every observer is an integral functioning part of this web which extends both into the past and into the future throughout space-time. It is the implicate order. No binary, ideal or atomic concept has any independent reality or permanence in this unchanging river of change. No symbol can be separated from the organic context of the whole. Nothing which happens, no event or process ever repeats itself exactly. Nevertheless the Tao is unchanging like a convoluted eroded stone which stands beyond time.
'Vast indeed is the ultimate Tao,Spontaneously itself, apparently without acting,End of all ages and beginning of all ages,Existing before Earth and existing before Heaven,Silently embracing the whole of time,Continuing uninterrupted though all eons, ...It is the ancestor of all doctrines,The mystery beyond all mysteries' (Lao Tsu).
It is only in this sense of unbroken wholeness that the Tao is subdivided into natural complementary creative and receptive principles of yang and yin associated with male and female, day and night, heaven and earth etc. The power of the creative lies beyond the describable, and complements the world of form. The two together form the mysterious totality of existence. Central to the organic nature of the Tao is the inextricable dependence of each attribute on its complement, from which it draws its very identity.
Under heaven all can see beauty as beauty only because there is ugliness.All can know good as good only because there is evil.